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Synopsis (draft)
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She covers different mediums of art but mainly sticks to photography, exploring the little worlds that are contained in each of us. Her work often portrays past emotions, the sensation of longing, personal change and frustration, creating a timeline of personal growth and self-discovery.
Karin is currently in her second year studying a Bachelor of Communication Design at Auckland University of Technology.
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(2015-2019)
(2019)
Waitakere College Foundation Art Show\\n
June 16-June 17, 2017
Te Uru Contemporary Art Gallery
May 27 - June 20, 2015
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\",\"settings\":{\"styles\":{\"text\":\"left\",\"align\":\"flex-start\",\"justify\":\"flex-start\",\"position\":\"69/11/71/15\"}}},\"DbrbcAhmR\":{\"type\":\"GridImage\",\"settings\":{\"alt\":\"Quotes\",\"image\":\"https://assets.zyrosite.com//YBB26VRBN6IN5lR1/img-m26L3kbp5xHq1aW1.jpg\",\"styles\":{\"align\":\"center\",\"justify\":\"center\",\"position\":\"1/4/7/9\",\"object-fit\":\"cover\",\"m-element-margin\":\"0 0 16px 0\"}}},\"DeaWd1bTC\":{\"type\":\"GridTextBox\",\"content\":\" I AM STARDUST
Sleep Deprived\\n
This Is Not My Body\\n
My film making process is very derivative of documentary film making.
I like to go out and film, explore and just see the general space with open and new eyes, then I come home and review everything that I had taken. From that, I work to see what aspects I’m missing in my structure, and what else I would like to add/see more of. \\n
For me to figure out what kind of style documentary film making I wanted to create, I found a few short documentaries/visual essays which I really liked the look of.
Growing up, there was always this feeling of my culture being so hidden and kept as a secret from me. There was this huge separation between looking Japanese but sounding ‘European’; it was a detaching feeling. \\n
\\n
Within the Japanese culture, there is a big thing about avoiding confrontation which I have felt I have done a lot of growing up. I never wanted to confront the isolation, the separation and the hot bubbling feeling of being so far away from something which should be so close. But quite frankly, that lead me on to being more separated- stuck in a mental void of endless questions and criticism.\\n
\\n
Living in New Zealand, we live, breathe and celebrate the multiculturalism which resides in our small country. I tend not to call myself Japanese unless it is to an old white person sitting across a table from me.\\n
\\n
The Rising Sun and the Boiling pot was made for me. \\n
\\n
It’s for the messy, chaotic, bubbling feeling of figuring things out. \\n
\\n
It’s a conversation. It’s a love letter. It’s a story, an insight. It’s a representation of who I am and where I stand in relation to my Japanese culture. \\n
I stand in this in-between space. \\n
\\n
I don’t know how to pronounce my name anymore but there are memories about the way my grandma calls me. She would say it down the hallway, her voice echoing as she rolls the ‘r’ in my name. It would punch through the silence. \\n
\\n
It disappears the more I stay in my own room in a place where I have no one to share my mother tongue with. The history and the language of my heritage will be buried in the ground with all my family. \\n
\\n
I will piece together myself, the way that Japanese use Kintsugi to piece together broken pottery. Gold will fill my scars, the missing parts to me celebrating and embracing the person I have become.
A story of self-discovery, cultural displacement within Western spaces and a connection to food from Karin Yamasaki’s family background
Grandparents Resturant in Japan
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May 27 - June 20, 2015
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instagram: @karin.yamasaki
\\n
Director, Producer, Writer: Karin Yamasaki\\n
STARRING: Sarah Francis, Giu Haesol Oh Kim\\n
Assistant Director, Associate Producer: Jaynie Ng\\n
Editor: Kate Hawkings\\n
Camera Operator: Luke Foley Martin\\n
Music: Anna Millard\\n
Special thanks to Lindsay Dawber and Lucy Dawber
Lets Talk:
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Placing top 20 overall\\n
\\n
September 3 - September 27, 2015\\n
\\n
Waitakere College Foundation Art Show June 16 - 17, 2017
Passion Series
(2018)
I Am Scars, I Am Skin,
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Capturing Youth Exhibition in Te Uru Gallery
So Small (2014)
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I decided to create something personal, a story that begins with my family in Japan, and ends with me in New Zealand. Being the first generation born here, I am often divided with my cultural identity. As I grew older and started finding my own steps in the fields I wanted to excel in, I realized that a lot of them were being dominated by white males. As time went on from doing art gallery openings to networking, I realized that I was very lost within white dominate spaces and my culture would always be the first topic of conversation. \\n
This documentary is to find me, why I am here, why I am so separated from my culture and why have I been to bring up my ethnicity on conversations. I want to understand why my mum came to New Zealand. I want to know why she stayed here. I want to know why my mum raised me and my four other siblings in a space where our language and culture wasn’t the most important thing, but food was. \\n
I decided on expository and poetic modes of documentary film making because something that has held the most cultural identity has always been objects. Plates, food, and Japanese artworks around my family home. Another thing that has been very important to me is the places near my family home where it is quiet and gives me time to reflect and think. \\n
I’ve watched a few short documentaries that I really like the visual aspects of, so I am wanting to include a more visual essay style to my film as well. \\n
My audience is the people who are in the same space as me feeling torn between cultural identities and feeling left out in certain spaces. \\n
Why this? Why now? Currently in our political and social climate, there has been a lot more BIPOC empowerment within the media. In a way, I want to create something in a space where I can explore myself and become comfortable with who I am, instead of being in this in-between grey area of being too white to be Asian, but too Asian to be white.
I AM STARDUST
Made for the 48Hour Film Festival 2015 and 2016
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K M T P
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“The Land of the Long Lost Tradition” is an exploration of cultural displacement, isolation and white washing in a Western country. Karin Yamasaki was born, raised and still lives in New Zealand.
As she grew up, she noticed and felt very isolated from her culture. Although Karin is full Japanese, she was raised in a household where Japanese was spoken, but not spoken enough to keep the language alive. There was a separation from how she looked Japanese, but didn’t act Japanese, with a lot of conversation around her cultural identity.
Karin’s mother moved here in 1990 but was never open about her reasons for leaving Japan. In this film, Karin sits down and can learn about her history and how and why she ended up here.
The Land of the Long Lost Traditions
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May 27 - June 20, 2015
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When it comes to filming my second film draft, I want to encorporate footage of my grandmother cooking food, the objects in my family home that hold a lot of nostalgia and cultural identity and I want to get a clearer recording of an interview with my mum.
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For Karin's 2014 Highschool photography project, she wanted to capture a set of photographs that were based around outgrowing, seperation and moving on from past trauma and relationships.
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I want to create something personal, a story that begins with my family in Japan, and ends with me in New Zealand.
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TITIRANGI ART COUNCIL'S EMERGING ARTISTS AWARD
PRONOUNS (2021)
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It takes the resources from Rainbow Youth and puts it into a easy to read and colourful visual piece.
Pronouns are an important part to anyones identity, so it is important we make sure that we are able to understand and be there for the people around us.
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FABIO PALMIERI’S ‘IRREGULARS’
Waitakere College Foundation Art Show \\n
June 16-June 17, 2017
(2020)
June 16 - June 17, 2016
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(2019)
A collection of type faces, illustrations, photographs and motifs.
2019, Semester 2 Project
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\\\"Home to me took a while to define. \\n
Home is a place where I can be my loudest, energetic and confident queer self. \\n
Home is where the music is. \\n
Home is a place where I am surrounded by people I love. \\n
Home is where I am with my partner, my five other flat-mates and my rats. \\n
Home is Dominion Road.\\\"
Breade; the rockumentary (2015)
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\",\"settings\":{\"styles\":{\"text\":\"right\",\"align\":\"flex-start\",\"justify\":\"flex-start\",\"position\":\"30/4/32/8\"}}},\"2NYhM5qNCW\":{\"type\":\"GridTextBox\",\"content\":\"A book about cultural displacement and me. \\n
Hand bound, hand painted, manually typed, gold origami crane insert, read back to front. \\n
\\n
'I will piece myself together, the way the Japanese use Kintsugi to piece together broken pottery. Gold will fill my scars, the missing parts to me celebrating and embracing the person I have become.'
Previewed at Berlin Feminist Film Week 2019\\n
\\n
Director, producer and cinematographer: Ruby Harris\\n
Co director and FemmeFitness founder: Anisha Müller\\n
Editor: Karin Yamasaki\\n
Music: Alicai Harley- Naah Done
June 16-June 17 2017
Throughout 2015-2017, Karin began to struggle more with her mental health. Her sleep deprivation got to the best of her and affected her craft. This photograph was a letter to her mental health, family, friends and partner about how isolating she began to feel.
This Is Not My Body
Made as a part of The HP 48hour Film Festival. Nominated for best original song at the 48 Hour Auckland Finals
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\\n
Made in collaboration with Keria Paterson and Matthew Hurley.\\n
\\n
Music: All Day Breakfast by DBLDBL
Watch on
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Home
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Made with the support NZ on Air\\n
Directed by Karin Yamasaki\\n
Produced by Keria Paterson
Director, Producer, Writer: Karin Yamasaki\\n
STARRING: Lucy Dawber, Sam Stoneman, Elizabeth Kjellberg, Kizzie Amoore, Miles Erwin-Atmore and Reuben Jenkin\\n
Assistant Director, Associate Producer: Jaynie Ng\\n
Editor, Sound Mixer: Di Kun Ong\\n
Music: Anna Millard, Miles Erwin-Atmore, Ruben Mita, Xhanthi.\\n
Make-Up Artist: Stefie Leech\\n
Camera Operators: Karin Yamasaki, Luke Foley-Martin
\\\"Yesterday upon the stair, there was a man who was not there. He was not there again today, I want this man to go away\\\"
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\\n
Placing top 20 overall\\n
\\n
September 3 - September 27, 2015\\n
Waitakere College Foundation Art Show
\\\"Home to me took a while to define. \\n
Home is a place where I can be my loudest, energetic and confident queer self. \\n
Home is where the music is. \\n
Home is a place where I am surrounded by people I love. \\n
Home is where I am with my partner, my five other flat-mates and my rats. \\n
Home is Dominion Road.\\\"
2019, Semester 1 Project
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27 May – 20 June 2015
ライジング サンボイリング ポット
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Collection of three fold out A6 booklets, 2019 Semester 2 Project
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ライジング サンボイリング ポット
TE URU CONTEMPORARY ART GALLERY
A book about cultural displacement and me.\\n
Hand bound, hand painted, manually typed, gold origami crane insert, read back to front.
'I will piece myself together, the way the Japanese use Kintsugi to piece together broken pottery. Gold will fill my scars, the missing parts to me celebrating and embracing the person I have become.'
Lets talk: PRONOUNS is a zine with information and resources about using pronouns.
It takes the resources from Rainbow Youth and puts it into a easy to read and colourful visual piece.
Pronouns are an important part to anyones identity, so it is important we make sure that we are able to understand and be there for the people around us.
'
Made as a part of the Rialto Channel 48hour film festival. Second place in Auckland Heats viewers choice.
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The Invisible man (2014)
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Lets talk: PRONOUNS is a zine with information and resources about using pronouns.
It takes the resources from Rainbow Youth and puts it into a easy to read and colourful visual piece.
Pronouns are an important part to anyones identity, so it is important we make sure that we are able to understand and be there for the people around us.
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